I like Picasso. His paintings anyway – he himself was rather a womanizing SOB.
Despite having two particularly arty children, I can’t say I know much about cubism. But I like the angular, sharp edges of the style. I like the seemingly jumbled aspects of the same object because I think that is often how ambivalent we feel about life.
My life is a cubist painting. Especially at the moment with lockdown and its attendant multi-facetted emotional experience. The jagged, glass-like slivers of reality fit together, not always neatly juxtaposed or aligned, but often in a higgledy piggledy fashion in a collage that sometimes piles elements on top of each other.
How do we make sense of it all?
I find my competing responsibilities working overtime in a stressful, shifting montage, even more demanding than usual and I am sure others must be feeling this way too.
As a head of a school, I am returning to my school tomorrow to receive our supplies of PPE for staff and to assess our readiness for re-opening and oversee the disinfecting and deep cleaning of all the buildings. It’s a daunting responsibility and I feel it keenly – the health and safety of so many beloved souls that I am accountable for. Me.
I must juggle this with responding to our parents’ real fears and concerns and financial predicaments, as well as a staff of gallant educators who are in danger of burning out as they live remote teaching and learning well into the evenings, having not really had a holiday in April. What heroes they have been in this time, some bewildered at first, but changing tack mid-curriculum to reinvent themselves as online interlocuters, while juggling their own unique family circumstances.
My Picasso painting has overlapping shards for each of children and my worries and guilt over whether I have done (am doing) enough for each to support them. Or have I hovered awfully?
How will poor Liam negotiate this matric year: is he getting enough sleep; doing enough schoolwork; being careful when he walks Nellie each morning now that we can exercise a bit? I have random thoughts like how many razors will he need to de-fuzz for school and should I buy extra hair elastics, because those lovely locks of his will need to be tied back in (gasp) a man bun, until barbers re-open. What is he thinking?
Just how soul-destroying is Mika’s telesales job in the UK?! He left on his gap-year adventure so full of hope and enthusiasm for his opportunity to remake himself and now stuck in digs outside London, I hope his satirical YouTube channel is taking off. Will we see him soon? When? I hope he’s eating and is not living an emaciated, Withnail and I sort of existence.
Is Shannon reading too many romantic gothic-fantasy novels and how will she accomplish Year 2 of a Fine Arts degree from her bed, where she reclines like a Greek goddess? She’s definitely not getting enough exercise but considering she received more than her fair share of the clumsy genes, perhaps that’s a good thing. She appears to be able to roll out essays easily enough (although rather vocally).
Lizzy’s moved homes from boyfriend’s family to her mom. I hope she’ll be able to study there. At least she’ll be in familiar surroundings. I miss her too. I wish she’d come here.
Michael is the earthling most suitable to lockdown since his business is online, but without football matches happening it must be hard to weave new stories and articles, even with the transfer window looming. I hope his advertising contracts don’t disappear. He has cleverly taken this time to get his other sites up and running though and is hiring new writers so he should be fine. And since I can’t see whether he and his flatmate are washing dishes, and using clean towels, I don’t have to worry about him. (Even though his emotional state is low because Uber Eats is not delivering to his complex!)
How can I keep up with Caitlin’s cooking sprees and reduce the size of my waistline in time for Sean’s wedding in the spring? I mean, malva pudding and custard is a scrumptious dessert and if I don’t have anything else for supper, it should be okay…shouldn’t it?
And, of course, I’m wondering whether the airlines will be operating and whether we’ll be able to travel by September for Sean and the lovely Jordan’s nuptials. No way can I miss that! How we’ll get there and where we’ll stay are still unknowns.
To be truthful there’s a little cube in my artwork that is rather sad to be ending this forced stay at home. It’s been pleasant to work around the maestro again and hear his genius at work, and I am not a little apprehensive to be venturing forth into the new way of doing things, given that as an aging matron, I suffer from hypertension and so am at risk from this virus.
But I shall be donning my mask both literally and metaphorically and pretending I am a surgeon sailing into an operating theatre, like the best of Greys’ Anatomy prima donnas. I do have a wrinkly face more suited to radio (especially since Woolworths is not selling foundation make-up yet – surely face putty is an essential item?!) so a mask is not a bad idea. I’ll have to take my tea intravenously or via a straw (Don’t tell Caitlin about the straw).
Picasso’s Madonna looks a little like my quizzical self and it looks as though she too is having trouble keeping her mask on. But that sideways sliver of her face reminds me that every now and again, I intend to move my mask away and breathe in great gulps of fresh air.
And smile. Even if they can only see my eyes.
We only ever see a fragment of other people anyway.